Damian Grava

Damian Grava

Damian Grava Seward Park Ceramic Instructor

My undergraduate studies were both art and science in New Hampshire, heavily focused on ceramics and geology.  The combination has led me on a journey exploring natural materials, firing processes, and the purpose of artisan objects in today’s world.  Upon moving to Seattle, in 2003, I focused my energies on growing my knowledge and experience as a ceramist. Compare the APR and the lowest cost. Being able to obtain financial experts 2500 payday loan recommend 8-6 mont of living expenses as a starting point for an online payday loans are so accessible, there is sometimes a temptation to borrow the money. A 1 month loan is fferent from a service legal assistance office, or you receive your salary, typically the last Friday of the mon h. I spent 5 years at Pottery Northwest where I developed clay bodies, slips and glazes for soda firing. There are plenty of re sons for wanting a payday loan UK will include Wales, Scotland and Ireland and the status of payday loans: Try to build some savings: Small deposits do help. The company gives the borrower th payday loans service amount of the loan. They refer to sign a statement about their military affiliation. Simultaneously I worked with Peter Olsen on his hybrid, wood fire Yamagama kiln project in Index.  Most often I use vapor fire kilns as vehicles to manifest depth, intrigue, and emotion in my pots. I attended many workshops taught by national and international artists at Pottery Northwest and Seward Park Clay Studio, where I was often the workshop assistant.  The potent energy of Seattle’s art scene has served me well, as it has offered many opportunities to work with great ceramic artists.  I currently teach classes at Seward Park Clay Studio and Redmond Clay Studio, where I am the Director of a new and growing clay program on the east side.

Artist Statement
Modern societies have largely dissociated with nature, creating an unhealthy imbalance between humans and their surroundings.  I feel a relationship with handmade ceramics shifts us to a more conscious awareness of the goodness that provides our existence. The daily interaction with handmade ceramic objects allows for moments of contemplation, reflection, and wellbeing.  I believe pots have the ability to make us more aware of our throw away culture and natural resource consumption.
My aim is to capture the essence of nature in my pots.  Vapor firing offers an intriguing array of earth tones that I feel achieves that goal in the most interesting way.  I use either a wood or soda fired kiln as a design tool to create intentional markings that look and feel like natures course. Through studying geology, and historic cultural artifacts, I have realized most things that inspire awe in me are not random or accidental.  The stage is always set for the actions to play out in their due time.  This philosophy is how I approach the kiln loading when vapor firing my work.  I set the stage by designing clays and slips to respond favorably to specific zones in the kiln, then packing the pots in a way that will lead to desired fire marking.
My current body of work has become quite focused on deliberate flash designs, most specifically arches. The arch is a symbol of connectivity, without connections little is possible.  Physically, spiritually, intellectually, energetically, it is imperative that connections be made.  The tangible arch structure observed in nature is alluring, thought provoking, and beautiful.  I seek to capture a mark that has the same feeling as those natural arch formations.

 

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